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How to Write a Good Story and Find Your Audience

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When they say that writing is a detailed process that requires patience, it is hard to disagree. However, creating a believable story or rendition is even more challenging. Those who have perfected the craft of storytelling confirm the idea is developed year after year. You can also wrap your head around various notions on how to write a good story. Those who are only trying to step into their own power will be grateful to receive the bottom line of the process.

Many of us have been rightfully speculating about a good story to write. The definition of the term may seem unclear, especially if you are used to creating something in one sitting. They say that a classic novel is best approached at the start of the season so you have three months to seal the deal. If the writers are struggling to find their voice for the narrative, it can be completed in a flash. This may feel like a daring adventure for the beginners, but we believe there is no recipe on how to write a great story. You have to take small steps in order to provide for the future. That being said, there are still secrets to the craft we would like to point out. The main idea here is nothing more than a tool, moving the plot forward.

Writing Story and Building the Character World

Though this may be regarded as a common notion, plotting does not play that large of a role in the course of the narrative. The first outline is referred to as the process of artistic discovery. You get familiar with the characters and start digging where you think they will be displayed most. To highlight separate features of the heroes and explore the archetypes, an outlook should be formed in the first place. You may have a few ideas on where to start the exploration, but there are still leads to be discovered to make for a perfect structure.

A protagonist in the story is the one responsible for making decisions. The poets say that human nature can be described as a dual struggle. Following that narrative, the writers should be able to beef up the plot. For this, they need to provide a hero with a mission. The main character has a fatal flaw that leads them to the point of no return. They are stressed and on edge, having come to the crisis of an existential self. This is only the tip of the iceberg when it comes to discussing the motivations of the protagonist. Also, we should not forget the archetypal referencing. It generally includes:

  • The sage. Also known as a magician, this character enters the scene when the heroes are at their lowest. They are meant to symbolize strength that comes from a supernatural power. In other cases, the power can be manifested through their earthly wisdom or prompt guidance.
  • The villain. The corrupted character is an integral part of the story which you simply cannot avoid. Great storytelling cannot exist without your hero having competition or an arch-nemesis that will disrupt their plans. Although the concept has been misused in the previous years, villains are needed to balance out the plot and show there are not only good guys on the arena.
  • The antagonist. Not necessarily the villain, this kind of character emerges from the protagonist’s ideas being challenged. The antagonist arrives to question the hero’s morals and show them the way. More often than not, they will eventually become allies and join forces on the mission.
  • The fool. Do not let the name of the archetype trick you into thinking this would be a useless plot device. Unlike other heroes, a fool can exist for the mere purpose of wreaking havoc. Unburdened with the high morale or the diplomacy of the protagonist, fools make fun of the scenery, setting, and even the plot itself. They are often introduced to provide a distraction and shift the focus from the main character.
  • The sidekick. A humorous addition to the plot, this one acts as a companion for the leaders. They may approach the sidekick with respect or ridicule the persona entirely. Depending on the plot holes within the story, sidekicks are not lacking in depth and often bring the necessary vibe to the novel.

Set the Dramatic Suspense for the Readers

The suspense often relies on the characters being able to experience all kinds of revelations. They are in two minds and not willing to go with the flow of the story. From this, the conflict arises. To cope with the strategy successfully, the writers have to ask their heroes whether they are going to make it. If it is a chase for an unknown artifact, they are bound to plan the escape. If it is a novel about romance, the star-crossed lovers are supposed to go through a series of obstacles to find their one and only.

When something happens in the course of the narrative that you wish to render to the fans, do not waste time with the descriptive language. Instead of going into detail and overestimating the power of adjectives, try to share the meaning through a simple language. Make the characters excited about the journey. The readers do not always know how to approach a story with heroes that are completely unpredictable. This is going to make a huge difference for students who only aspire to be professional writers and experts in general.

 

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